Akai CD3000XL Betreibershandbuch Seite 154

  • Herunterladen
  • Zu meinen Handbüchern hinzufügen
  • Drucken
  • Seite
    / 313
  • Inhaltsverzeichnis
  • LESEZEICHEN
  • Bewertet. / 5. Basierend auf Kundenbewertungen
Seitenansicht 153
EDIT SAMPLE
Page 148 S3000XL Operator’s Manual
The key in the SLCT page gives access to further editing functions such as
sectional editing, splicing and joining samples together, reverse and fade up/down.
The first page we see is the PARAMETERS page (the first one you access when you
press the key) and looks like this:
On the top line is the name of the sample you want to edit. As usual, this may be
changed with the DATA control. The parameters on this page are as follows:
This allows you to alter the original pitch at which the sample was
recorded, so that when you replay it on the keyboard, it will play at
the correct pitch. You will note that the ENT/PLAY key which
normally plays a sound at a pitch set in the MIDI TRAN(smit) page,
plays the sample at its correct pitch (i.e. the pitch it was sampled
at) when you are in EDIT SAMPLE.
Further fine tuning (in semitones and cents over a range of ±50
semitones) is possible here.
This parameter determines the way in which the sample will be
played back. There are four options available here.
The first is LOOP IN RELEASE. This means that when a key is
pressed, the sample will play through all the loops until the first
HOLD loop is reached. When the key is released, the HOLD loop
will continue to play as the release falls away. This is always
selected when you make a sample.
LOOP UNTIL RELEASE is slightly different. Again, the sample will
play, with all loops, until the first HOLD loop is reached. However,
when the key is released, the loop will end, and the remaining
portion of the sample (if any) will be played. This is a useful setting
for sounds which have a definite attack, an indefinite sustain
period (set with the loop), and a definite release characteristic. For
example, if you have a double bass sample that has an interesting
and realistic finger squeak at the end, this type of loop may be
appropriate.
NO LOOPING does what its name suggests - it plays the sample
through without loops for as long as the key is held down. If the
sound is not long enough, it will finish even though you are holding
down a note. If the sample is still sounding, as soon as the key is
released, the sound will start to decay.
PLAY TO SAMPLE END is useful for triggering sampled drums
either from a keyboard or sequencer or by drum trigger units such
as the ME35T and the like. Like the previous setting, no loops are
Seitenansicht 153
1 2 ... 149 150 151 152 153 154 155 156 157 158 159 ... 312 313

Kommentare zu diesen Handbüchern

Keine Kommentare