Akai MPC 60 Betreibershandbuch PDF herunterladen (Seite 46)

Chapter 3: Recording Sequences

Page 40

========== Initialize Sequence ========A

Select sequence: 2-(unused)

===== General ===== ==== Track: 1 ====

Bars: 2 Sig: 4/ 4 Status:UNUSED

BPM:120.0 (SEQ) Type:DRUM Pgm:OFF

Loop:TO BAR 1 Chn:OFF & OFF

========================================

4. Enter 4 in the Bars field then press <Do it>. The Play/Record screen

will reappear, showing that the sequence has been initialized to 4

bars of 4/4.

COMMENT: Whenever you select an empty sequence followed

by pressing either RECORD or OVERDUB, the sequence will be

initialized using the settings in this screen. Now that you have

changed these settings to 4 bars of 4/4, looped, whenever you

now select an empty sequence in the Play/Record screen and

press either RECORD or OVERDUB, the sequence will be

initialized instantly to 4 bars of 4/4, looped, instead of the factory

default of 2 bars of 4/4, looped. These settings, as well as the

contents of many other data fields in the MPC60, are

remembered when the power is turned off, so this new default

will remain in effect until changed.

Now, record the drums on track 1:

1. Move the cursor to the Trk field and select 1 (Enter) to make track

number 1 active.

2. Set the Type field to DRUM.

3. While holding RECORD, press PLAY START. The RECORD and

PLAY keys’ lights should go on, and the metronome should be heard

through the stereo outputs. The metronome will play on 1/4-notes,

with a louder sound at the start of each bar. Also, the Now field will be

changing constantly to reflect the current sequence position.

4. Record the bass drum and snare drum parts by playing the pads

labeled with those names. Notice that when the sequence loops back

to bar 1, Record mode automatically changes to Overdub mode so

that the new part won’t get erased. Notice also that every time the

four-bar pattern loops back to the start, any drums recorded on the

last pass will be heard at the position they were recorded, except that

your notes will have been moved to the nearest value specified in the

Timing Correct screen (in this case, 1/16-note).

5. Without stopping the sequence, record a 1/16-note hi-hat part by

simultaneously holding the TIMING CORRECT key and the HIHAT

pad, varying the pressure on the pad as the sequence plays. After

four bars, release both the key and the pad. Notice that hi-hats have

now been recorded on all 1/16-notes. This feature is called note

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